| Want
to be a Rockette?
Talk to dancers and they'll tell you that a certain dancer or movie
or Broadway
show inspired them to dance. Maybe it was or Gelsey Kirkland, "The Red
Shoes," "An
American in Paris" or "A Chorus Line." But there's also a dance
organization,
internationally famous, that has colored the dreams of countless aspiring
young dancers --
the Rockettes. This legendary troupe has to be included in any column
alerting dancers to
great jobs.
The Rockettes have been around since 1925 when they started out as
the
Missouri Rockets. A New York City producer named Samuel "Roxy" Rothafel
bought the
production for his Roxy Theater and changed the name to the Roxyettes. When
Radio
City Music Hall opened in Rockefeller Center on December 27, 1932, they
became the
Rockettes. Today there are more than 175 women dancing as Rockettes, not
only in the
newly-refurbished Radio City Music Hall in New York City but all over the
country and
in Mexico -- and the projection is that there will soon be more.
As a Rockette, you will work for Radio City Productions, a major
company
producing not just the Rockettes but sports spectaculars, movie debuts, and
television
specials. It promotes many other shows, including "Barney," "Lord of the
Dance,"
"Riverdance" and "Disney on Ice." But far and away its most successful show
is the
"Radio City Christmas Spectacular." This is the number one show in America
and it
continues to break box office records. Indeed, it has broken its own box
office record for
the last seventeen years in a row. In an eight-week holiday run, the "Radio
City Christmas
Spectacular" brings in more people than some Broadway shows do all year.
This
record-setting show doesn't look as though it will end any time soon. In
fact, this year
Christmas productions are being planned for Branson, Chicago, Detroit, Los
Angeles,
Mexico City, Myrtle Beach and New York City. Plus, there is a permanent
show in Las
Vegas and another troupe of Rockettes tours the country performing at
sporting events
and concerts, and on film and television. More and more young women will
get to fulfill
the dream of becoming a Rockette.
I spoke with Linda Haberman, the director/choreographer of the
"Radio City
Christmas Spectacular." She is in the middle of a national talent search,
seeking dancers
and singers for the seven "Christmas Spectacular " productions opening
later this year.
Don Mirault:
Linda, are you looking for other talent as well as a
Rockette line?
Linda Haberman: Yes. Each show has a line of Rockettes, but I'm also
hiring other
male and female dancers, male and female singers, and male and female
children who
dance.
Don:
What is the size of this cast?
Linda: The largest show will be in Mexico City and the cast will have
fifty-five
performers.
Don:
Okay, let's get right to the point. What do you look for in
aspiring Rockettes?
Linda: I look for dancers between five feet five-and-a-half inches and
five feet ten
inches tall. They must be proficient in jazz and tap. They must pick up the
choreography
quickly and really pay attention to detail. This is not a show for the
dancer who wants to
star. Also, because the Rockettes are such a tight troupe of dancers, arm
placement is
especially important to the choreography.
Don:
What common mistakes do many dancers make at an audition?
Linda: First, they wear too much clothing--no layers of clothing. I
need to see your
body and line. I want to see you in heels, no ballet slippers and
definitely no sneakers.
And pay attention! I know you're nervous, but you must listen. Even if you
do it right, I
may give you a correction to see if you listen and can make the change. You
should be as
prepared as you can but don't come in with any preconceived ideas about
what a Rockette
should be like. Listen closely, pay attention to detail and assimilate the
choreography as
quickly as you can.
Haberman told me that the "Christmas Spectacular" is about ninety
minutes long and
that the Rockettes usually perform seven or eight different routines. As
for salary, Radio
City Productions and the Rockettes have a special contract with the
American Guild of
Variety Artists (AGVA). You can call the Guild at (212) 675-1003 to find
out the salary
minimums. Linda also made a point of encouraging ethnic dancers to
audition. Some
ethnic dancers may feel that they cannot be Rockettes, but I am happy to
report that this
is not the case.
One thing I should discuss -- maybe because no one else will -- is
weight. No one
wants to say it publicly because it's not politically correct, but weight
is still a big issue
with the Rockettes and many other dance jobs. Producers tell me all the
time that it's
difficult to hire dancers who are overweight. If you have a weight problem,
work on it
now, but please work on it sensibly.
For more information on Radio City and the Rockettes, visit
http://www.RadioCity.com. The Web site has a list of scheduled events and a lot more.
You can also
call the Radio City Audition Hotline, (212) 632-3630

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